The Hungarian Museum Area during the Quarantine Culture - Core and Peripheral Cultural Industrial Mechanisms (Accepted)

Type of Abstract (select): Paper presentation

Abstract (max. 250 words):
During my research paper, I focus on the impact of technology, digital rearrangement, and digital development on museums- I review the previously peripheral segment of the cultural industry, operating with a different mechanism from the core cultural industrial logic - David Hesmondhalgh's work (titled The Cultural Industries) is my theoretical starting point.

I apply the mentioned framework to the solutions of the quarantine culture. (1) I overview the field of museum which is focusing on emerging new types of solutions, and it shows the new museum pedagogy’s solutions as well. (2)During my presentation I give a picture of an „aggressive”, non-organically developed media mediation in the field of museum. My samplings comes from the analysis of the practices of the Hungarian cultural scene. I analyze the new solutions which particularry appeared during the quarantine culture, during the pandemic: I focus on presence, I summarize virtual exhibition’s solutions and practices. After the theoretical framework, and sampling, I discuss my main thesis: the peripheral cultural segment found its practices to join the core cultural segment’s operation with the help of the non-organic media presence. (3)



Brief Professional Bio (max. 100 words):
Zsanett Lengyel is currently a student of the Doctoral School of Literary and Cultural Studies at the University of Debrecen. There, she earned a communicator degree and then, at Moholy-Nagy University of Art and Design, she earned a design and art theorist degree in 2020, futhermore, she became a design and art manager in 2022. She has tearching and research experience. In her researchers, she deals with different aspects cultural studies withing theatre and museums. She has earned many research sholarships during the past 8 years.